Twelve Men Read online

  “Dreiser,” he exclaimed once with gusto, his bright beady eyes gleaming with an immense human warmth, “you haven’t the slightest idea of the fascination of some of the old beliefs. Do you know the significance of a scarab in Egyptian religious worship, for instance?”

  “A scarab? What’s a scarab? I never heard of one,” I answered.

  “A beetle, of course. An Egyptian beetle. You know what a beetle is, don’t you? Well, those things burrowed in the earth, the mud of the Nile, at a certain period of their season to lay their eggs, and the next spring, or whenever it was, the eggs would hatch and the beetles would come up. Then the Egyptians imagined that the beetle hadn’t died at all, or if it had that it also had the power of restoring itself to life, possessed immortality. So they thought it must be a god and began to worship it,” and he would pause and survey me with those amazing eyes, bright as glass beads, to see if I were properly impressed.

  “You don’t say!”

  “Sure. That’s where the worship came from,” and then he might go on and add a bit about monkey-worship, the Zoroastrians and the Parsees, the sacred bull of Egypt, its sex power as a reason for its religious elevation, and of sex worship in general; the fantastic orgies at Sidon and Tyre, where enormous images of the male and female sex organs were carried aloft before the multitude.

  Being totally ignorant of these matters at the time, not a rumor of them having reached me as yet in my meagre reading, I knew that it must be so. It fired me with a keen desire to read—not the old orthodox emasculated histories of the schools but those other books and pamphlets to which I fancied he must have access. Eagerly I inquired of him where, how. He told me that in some cases they were outlawed, banned or not translated wholly or fully, owing to the puritanism and religiosity of the day, but he gave me titles and authors to whom I might have access, and the address of an old book-dealer or two who could get them for me.

  In addition he was interested in ethnology and geology, as well as astronomy (the outstanding phases at least), and many, many phases of applied art: pottery, rugs, pictures, engraving, wood-carving, jewel-cutting and designing, and I know not what else, yet there was always room even in his most serious studies for humor of the bizarre and eccentric type, amounting to all but an obsession. He wanted to laugh, and he found occasion for doing so under the most serious, or at least semi-serious, circumstances. Thus I recall that one of the butts of his extreme humor was this same Dick, whom he studied with the greatest care for points worthy his humorous appreciation. Dick, in addition to his genuinely lively mental interests, was a most romantic person on one side, a most puling and complaining soul on the other. As a newspaper artist I believe he was only a fairly respectable craftsman, if so much, whereas Peter was much better, although he deferred to Dick in the most persuasive manner and seemed to believe at times, though I knew he did not, that Dick represented all there was to know in matters artistic.

  Among other things at this time, the latter was, or pretended to be, immensely interested in all things pertaining to the Chinese and to know not only something of their language, which he had studied a little somewhere, but also their history—a vague matter, as we all know—and the spirit and significance of their art and customs. He sometimes condescended to take us about with him to one or two Chinese restaurants of the most beggarly description, and—as he wished to believe, because of the romantic titillation involved—the hang-outs of crooks and thieves and disreputable Tenderloin characters generally. (Of such was the beginning of the Chinese restaurant in America.) He would introduce us to a few of his Celestial friends, whose acquaintance apparently he had been most assiduously cultivating for some time past and with whom he was now on the best of terms. He had, as Peter pointed out to me, the happy knack of persuading himself that there was something vastly mysterious and superior about the whole Chinese race, that there was some Chinese organization known as the Six Companions, which, so far as I could make out from him, was ruling very nearly (and secretly, of course) the entire habitable globe. For one thing it had some governing connection with great constructive ventures of one kind and another in all parts of the world, supplying, as he said, thousands of Chinese laborers to any one who desired them, anywhere, and although they were employed by others, ruling them with a rod of iron, cutting their throats when they failed to perform their bounden duties and burying them head down in a basket of rice, then transferring their remains quietly to China in coffins made in China and brought for that purpose to the country in which they were. The Chinese who had worked for the builders of the Union Pacific had been supplied by this company, as I understood from Dick. In regard to all this Peter used to analyze and dispose of Dick’s self-generated romance with the greatest gusto, laughing the while and yet pretending to accept it all.

  But there was one phase of all this which interested Peter immensely. Were there on sale in St. Louis any bits of jade, silks, needlework, porcelains, basketry or figurines of true Chinese origin? He was far more interested in this than in the social and economic sides of the lives of the Chinese, and was constantly urging Dick to take him here, there and everywhere in order that he might see for himself what of these amazing wonders were locally extant, leading Dick in the process a merry chase and a dog’s life. Dick was compelled to persuade nearly all of his boasted friends to produce all they had to show. Once, I recall, a collection of rare Chinese porcelains being shown at the local museum of art, there was nothing for it but that Dick must get one or more of his Oriental friends to interpret this, that and the other symbol in connection with this, that and the other vase—things which put him to no end of trouble and which led to nothing, for among all the local Chinese there was not one who knew anything about it, although they, Dick included, were not honest enough to admit it.

  “You know, Dreiser,” Peter said to me one day with the most delicious gleam of semi-malicious, semi-tender humor, “I am really doing all this just to torture Dick. He doesn’t know a damned thing about it and neither do these Chinese, but it’s fun to haul ‘em out there and make ‘em sweat. The museum sells an illustrated monograph covering all this, you know, with pictures of the genuinely historic pieces and explanations of the various symbols in so far as they are known, but Dick doesn’t know that, and he’s lying awake nights trying to find out what they’re all about. I like to see his expression and that of those chinks when they examine those things.” He subsided with a low chuckle all the more disturbing because it was so obviously the product of well-grounded knowledge.

  Another phase of this same humor related to the grand artistic, social and other forms of life to which Dick was hoping to ascend via marriage and which led him, because of a kind of anticipatory eagerness, into all sorts of exaggerations of dress, manners, speech, style in writing or drawing, and I know not what else. He had, as I have said, a “studio” in Broadway, an ordinary large, square upper chamber of an old residence turned commercial but which Dick had decorated in the most, to him, recherche or different manner possible. In Dick’s gilding imagination it was packed with the rarest and most carefully selected things, odd bits of furniture, objects of art, pictures, books—things which the ordinary antique shop provides in plenty but which to Dick, having been reared in Bloomington, Illinois, were of the utmost artistic import. He had vaulting ambitions and pretensions, literary and otherwise, having by now composed various rondeaus, triolets, quatrains, sonnets, in addition to a number of short stories over which he had literally slaved and which, being rejected by many editors, were kept lying idly and inconsequentially and seemingly inconspicuously about his place—the more to astonish the poor unsophisticated “outsider.” Besides it gave him the opportunity of posing as misunderstood, neglected, depressed, as becomes all great artists, poets, and thinkers.

  His great scheme or dream, however, was that of marriage to an heiress, one of those very material and bovine daughters of the new rich in the West end, and to this end he was bending all his artistic thought, w
riting, dressing, dreaming the thing he wished. I myself had a marked tendency in this direction, although from another point of view, and speaking from mine purely, there was this difference between us: Dick being an artist, rather remote and disdainful in manner and decidedly handsome as well as poetic and better positioned than I, as I fancied, was certain to achieve this gilded and crystal state, whereas I, not being handsome nor an artist nor sufficiently poetic perhaps, could scarcely aspire to so gorgeous a goal. Often, as around dinnertime he ambled from the office arrayed in the latest mode—dark blue suit, patent leather boots, a dark, round soft felt hat, loose tie blowing idly about his neck, a thin cane in his hand—I was already almost convinced that the anticipated end was at hand, this very evening perhaps, and that I should never see him more except as the husband of a very rich girl, never be permitted even to speak to him save as an almost forgotten friend, and in passing! Even now perhaps he was on his way to her, whereas I, poor oaf that I was, was moiling here over some trucky work. Would my ship never come in? my great day never arrive? my turn? Unkind heaven!

  As for Peter he was the sort of person who could swiftly detect, understand and even sympathize with a point of view of this kind the while he must laugh at it and his mind be busy with some plan of making a fol-de-rol use of it. One day he came into the city-room where I was working and bending over my desk fairly bursting with suppressed humor announced, “Gee, Dreiser, I’ve just thought of a delicious trick to play on Dick! Oh, Lord!” and he stopped and surveyed me with beady eyes the while his round little body seemed to fairly swell with pent-up laughter. “It’s too rich! Oh, if it just works out Dick’ll be sore! Wait’ll I tell you,” he went on. “You know how crazy he is about rich young heiresses? You know how he’s always ‘dressing up’ and talking and writing about marrying one of those girls in the West end?” (Dick was forever composing a short story in which some lorn but perfect and great artist was thus being received via love, the story being read to us nights in his studio.) “That’s all bluff, that talk of his of visiting in those big houses out there. All he does is to dress up every night as though he were going to a ball, and walk out that way and moon around. Well, listen. Here’s the idea. We’ll go over to Mermod & Jaccards to-morrow and get a few sheets of their best monogrammed paper, sample sheets. Then we’ll get up a letter and sign it with the most romantic name we can think of—Juanita or Cyrene or Doris—and explain who she is, the daughter of a millionaire living out there, and that she’s been strictly brought up but that in spite of all that she’s seen his name in the paper at the bottom of his pictures and wants to meet him, see? Then we’ll have her suggest that he come out to the west gate of, say, Portland Place at seven o’clock and meet her. We’ll have her describe herself, see, young and beautiful, and some attractive costume she’s to wear, and we’ll kill him. He’ll fall hard. Then we’ll happen by there at the exact time when he’s waiting, and detain him, urge him to come into the park with us or to dinner. We’ll look our worst so he’ll be ashamed of us. He’ll squirm and get wild, but we’ll hang on and spoil the date for him, see? We’ll insist in the letter that he must be alone, see, because she’s timid and afraid of being recognized. My God, he’ll be crazy! He’ll think we’ve ruined his life—oh, ho, ho!” and he fairly writhed with inward joy.

  The thing worked. It was cruel in its way, but when has man ever grieved over the humorous ills of others? The paper was secured, the letter written by a friend of Peter’s in a nearby real estate office, after the most careful deliberation as to wording on our part. Extreme youth, beauty and a great mansion were all hinted at. The fascination of Dick as a romantic figure was touched upon. He would know her by a green silk scarf about her waist, for it was spring, the ideal season. Seven o’clock was the hour. She could give him only a moment or two then—but later—and she gave no address!

  The letter was mailed in the West end, as was meet and proper, and in due season arrived at the office. Peter, working at the next easel, observed him, as he told me, out of the corner of his eye.

  “You should have seen him, Dreiser,” he exclaimed, hunting me up about an hour after the letter arrived. “Oh, ho! Say, you know I believe he thinks it’s the real thing. It seemed to make him a little sick. He tried to appear nonchalant, but a little later he got his hat and went out, over to Deck’s,” a nearby saloon, “for a drink, for I followed him. He’s all fussed up. Wait’ll we heave into view that night! I’m going to get myself up like a joke, a hobo. I’ll disgrace him. Oh, Lord, he’ll be crazy! He’ll think we’ve ruined his life, scared her off. There’s no address. He can’t do a thing. Oh, ho, ho, ho!”

  On the appointed day—and it was a delicious afternoon and evening, aflame with sun and in May—Dick left off his work at three p.m., as Peter came and told me, and departed, and then we went to make our toilets. At six we met, took a car and stepped down not more than a short block from the point of meeting. I shall never forget the sweetness of the air, the something of sadness in the thought of love, even in this form. The sun was singing its evensong, as were the birds. But Peter—blessings or curses upon him!—was arrayed as only he could array himself when he wished to look absolutely disconcerting—more like an unwashed, uncombed tramp who had been sleeping out for weeks, than anything else. His hair was over his eyes and ears, his face and hands dirty, his shoes ditto. He had even blackened one tooth slightly. He had on a collarless shirt, and yet he was jaunty withal and carried a cane, if you please, assuming, as he always could and in the most aggravating way, to be totally unconscious of the figure he cut. At one angle of his multiplex character the man must have been a born actor.

  We waited a block away, concealed by a few trees, and at the exact hour Dick appeared, hopeful and eager no doubt, and walking and looking almost all that he hoped—delicate, pale, artistic. The new straw hat! The pale green “artists’” shirt! His black, wide-buckled belt! The cane! The dark-brown low shoes! The boutonniere! He was plainly ready for any fate, his great moment.

  And then, before he could get the feeling that his admirer might not be coming, we descended upon him in all our wretched nonchalance and unworthiness—out of hell, as it were. We were most brisk, familiar, affectionate. It was so fortunate to meet him so, so accidentally and peradventure. The night was so fine. We were out for a stroll in the park, to eat afterward. He must come along.

  I saw him look at Peter in that hat and no collar, and wilt. It was too much. Such a friend—such friends (for on Peter’s advice I was looking as ill as I might, an easy matter)! No, he couldn’t come. He was waiting for some friends. We must excuse him.

  But Peter was not to be so easily shaken off. He launched into the most brisk and serious conversation. He began his badger game by asking about some work upon which Dick had been engaged before he left the office, some order, how he was getting along with it, when it would be done; and, when Dick evaded and then attempted to dismiss the subject, took up another and began to expatiate on it, some work he himself was doing, something that had developed in connection with it. He asked inane questions, complimented Dick on his looks, began to tease him about some girl. And poor Dick—his nervousness, his despair almost, the sense of the waning of his opportunity! It was cruel. He was becoming more and more restless, looking about more and more wearily and anxiously and wishing to go or for us to go. He was horribly unhappy. Finally, after ten or fifteen minutes had gone and various girls had crossed the plaza in various directions, as well as carriages and saddle-horses—each one carrying his heiress, no doubt!—he seemed to summon all his courage and did his best to dispose of us. “You two’ll have to excuse me,” he exclaimed almost wildly. “I can’t wait.” Those golden moments! She could not approach! “My people aren’t coming, I guess. I’ll have to be going on.”

  He smiled weakly and made off, Peter half following and urging him to come back. Then, since he would not, we stood there on the exact spot of the rendezvous gazing smirkily after him. Then we went into the par
k a few paces and sat on a bench in full view, talking—or Peter was—most volubly. He was really choking with laughter. A little later, at seven-thirty, we went cackling into the park, only to return in five minutes as though we had changed our minds and were coming out—and saw Dick bustling off at our approach. It was sad really. There was an element of the tragic in it. But not to Peter. He was all laughter, all but apoplectic gayety. “Oh, by George!” he choked. “This is too much! Oh, ho! This is great! his poor heiress! And he came back! Har! Har! Har!”

  “Peter, you dog,” I said, “aren’t you ashamed of yourself, to rub it in this way?”

  “Not a bit, not a bit!” he insisted most enthusiastically. “Do him good. Why shouldn’t he suffer? He’ll get over it. He’s always bluffing about his heiresses. Now he’s lost a real one. Har! Har! Har!” and he fairly choked, and for days and weeks and months he laughed, but he never told. He merely chortled at his desk, and if any one asked him what he was laughing about, even Dick, he would reply, “Oh, something—a joke I played on a fellow once.”

  If Dick ever guessed he never indicated as much. But that lost romance! That faded dream!

  Not so long after this, the following winter, I left St. Louis and did not see Peter for several years, during which time I drifted through various cities to New York. We kept up a more or less desultory correspondence which resulted eventually in his contributing to a paper of which I had charge in New York, and later, in part at least I am sure, in his coming there. I noticed one thing, that although Peter had no fixed idea as to what he wished to be—being able to draw, write, engrave, carve and what not—he was in no way troubled about it. “I don’t see just what it is that I am to do best,” he said to me once. “It may be that I will wind up as a painter or writer or collector—I can’t tell yet. I want to study, and meantime I’m making a living—that’s all I want now. I want to live, and I am living, in my way.”